Data

Wayang - Lagu Bertempur

Monash University
Hidris Kartomi (Aggregated by) Margaret J. Kartomi (Aggregated by)
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ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=info:doi10.4225/03/593500d9668f5&rft.title=Wayang - Lagu Bertempur&rft.identifier=https://doi.org/10.4225/03/593500d9668f5&rft.publisher=Monash University&rft.description=Audio 7.12: Audio Example 12 in Chapter 7 of book: Margaret Kartomi, ‘Musical Journeys in Sumatra’, Champaign-Urbana: University of Illinois Press, 2012. One of Palembang’s main contributions to Sumatran arts lies in its Javanese-derived “wayang kulit” or shadow puppet performances and gamelan. Unlike courts in other provinces of Sumatra which were predominantly Malay, the members of Palembang’s former palace regarded themselves as descendants of Javanese aristocracy. As such, they prized Javanese music, language and culture. “Wayang-Lagu Bertempur”, a “lagu perang” or war song, was the first musical item presented in a “wayang kulit” performance recorded in January 1988 in Palembang. The “gamelan” instruments accompanying the puppet action, and led by Bp A. Syudin, comprised a metallophone (“saron”) playing the melody, gongs (“kempur” and “kenong”) to maintain the tempo, and a double-headed drum (“gendang”) to provide rhythmic interest and leadership. Duration: 3 min. 17 sec. Copyright 1988. Margaret J. Kartomi.&rft.creator=Hidris Kartomi&rft.creator=Margaret J. Kartomi&rft.date=2018&rft_rights=In Copyright&rft_subject=Kempur&rft_subject=Java&rft_subject=1959.1/284285&rft_subject=Shadow puppets&rft_subject=Gamelan&rft_subject=Indonesia – South Sumatra – West Ilir – Tanggabuntung – Palembang&rft_subject=Lagu perang&rft_subject=Wayang kulit&rft_subject=Saron&rft_subject=monash:62558&rft_subject=Kraton&rft_subject=Palembang&rft_subject=Monash University. Faculty of Arts. School of Music-Conservatorium&rft_subject=Gendang&rft_subject=Kenong&rft_subject=Performing Arts&rft_subject=Digital Humanities&rft_subject=Ethnic Studies&rft.type=dataset&rft.language=English Access the data
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Audio 7.12: Audio Example 12 in Chapter 7 of book: Margaret Kartomi, ‘Musical Journeys in Sumatra’, Champaign-Urbana: University of Illinois Press, 2012. One of Palembang’s main contributions to Sumatran arts lies in its Javanese-derived “wayang kulit” or shadow puppet performances and gamelan. Unlike courts in other provinces of Sumatra which were predominantly Malay, the members of Palembang’s former palace regarded themselves as descendants of Javanese aristocracy. As such, they prized Javanese music, language and culture. “Wayang-Lagu Bertempur”, a “lagu perang” or war song, was the first musical item presented in a “wayang kulit” performance recorded in January 1988 in Palembang. The “gamelan” instruments accompanying the puppet action, and led by Bp A. Syudin, comprised a metallophone (“saron”) playing the melody, gongs (“kempur” and “kenong”) to maintain the tempo, and a double-headed drum (“gendang”) to provide rhythmic interest and leadership. Duration: 3 min. 17 sec. Copyright 1988. Margaret J. Kartomi.

Issued: 2017-06-05

Created: 2017-06-05

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1959.1/284285 | Digital Humanities | Ethnic Studies | Gamelan | Gendang | Indonesia – South Sumatra – West Ilir – Tanggabuntung – Palembang | Java | Kempur | Kenong | Kraton | Lagu perang | Monash University. Faculty of Arts. School of Music-Conservatorium | Palembang | Performing Arts | Saron | Shadow puppets | Wayang kulit | monash:62558 |

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ACN 633 798 857