Data

Stan Golestan Violin Sonata in E flat major for violin and piano 1. Andantino ii. Andante sostenuto iii. Allegro animato

The University of Adelaide
Elizabeth Layton (Aggregated by) Larissa Schneider (Aggregated by)
Viewed: [[ro.stat.viewed]] Cited: [[ro.stat.cited]] Accessed: [[ro.stat.accessed]]
ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=info:doi10.25909/5d158df83c4e5&rft.title=Stan Golestan Violin Sonata in E flat major for violin and piano 1. Andantino ii. Andante sostenuto iii. Allegro animato&rft.identifier=https://doi.org/10.25909/5d158df83c4e5&rft.publisher=The University of Adelaide&rft.description=Violin Sonata in E flat major by Stan Golestan (1875-1956) in three movements i) Andantino ii) Andante sostenuto iii) Allegro animato. This is the first recording of Golestan's sonata, and is performed by Elizabeth Layton (violin) and Larissa Schneider (piano). Written in 1908, the premiere was given by Georges Enescu, Golestan's mentor, with Maurice Dumesnil at the piano. The sonata represents the intersection of Eastern European and French culture in Paris at the height of the city's artistically fruitful period in the firat decade of the twentieth century. This project is informed by wider research into Enescu's seminal 1921 Bucharest Recital Series.&rft.creator=Elizabeth Layton&rft.creator=Larissa Schneider&rft.date=2019&rft_rights=CC-BY-ND-4.0&rft_subject=Golestan&rft_subject=Violin&rft_subject=Music Performance&rft_subject=Music performance&rft.type=dataset&rft.language=English Access the data
Cite Saved to MyRDA Save to MyRDA

Licence & Rights:

Non-Derivative Licence view details
CC-BY-ND

CC-BY-ND-4.0

Full description

Violin Sonata in E flat major by Stan Golestan (1875-1956) in three movements i) Andantino ii) Andante sostenuto iii) Allegro animato. This is the first recording of Golestan's sonata, and is performed by Elizabeth Layton (violin) and Larissa Schneider (piano). Written in 1908, the premiere was given by Georges Enescu, Golestan's mentor, with Maurice Dumesnil at the piano. The sonata represents the intersection of Eastern European and French culture in Paris at the height of the city's artistically fruitful period in the firat decade of the twentieth century. This project is informed by wider research into Enescu's seminal 1921 Bucharest Recital Series.

Issued: 2019-06-28

Created: 2019-06-28

This dataset is part of a larger collection

Click to explore relationships graph
Help

Related People

Subjects
Golestan | Music Performance | Music performance | Violin |

User Contributed Tags    

Login to tag this record with meaningful keywords to make it easier to discover

Identifiers