Data

Seudati demonstration of Keutep Jaro (finger-snapping) technique : AV Intro IV.4

Monash University
Margaret J. Kartomi (Aggregated by)
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ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=info:doi10.4225/03/593110fe94930&rft.title=Seudati demonstration of Keutep Jaro (finger-snapping) technique : AV Intro IV.4&rft.identifier=https://doi.org/10.4225/03/593110fe94930&rft.publisher=Monash University&rft.description=A/V Intro IV.4: Audiovisual Example 4 in Introduction to Part IV of book: Margaret Kartomi, ‘Musical Journeys in Sumatra’, Champaign-Urbana: University of Illinois Press, 2012. Seudati experts Syéh La Geunta (in white top) and Syéh Noerdin Daood give a short demonstration of the Acehnese body percussion (peh badan) technique called Keutep Jaro, or finger-snapping, which occurs during performances of seudati. Seudati is the main Acehnese dance that is performed in standing (as opposed to sitting) position. In this clip, the fingers are snapped both in unison and in interlocking rhythmic patterns, moving on (in this case) to lower chest beating. Recorded by permission of the Bupati of North Aceh, Bp Tarmizi Karim, and his appointed artist and 2003 festival organiser - Bp Rizal, on behalf of the troupes who performed in the Festival. Copyright 2003. Margaret J. Kartomi. Camera by Iwan Dzulvan Amir&rft.creator=Margaret J. Kartomi&rft.date=2018&rft_rights=In Copyright&rft_subject=Keutep Jaro&rft_subject=Aceh&rft_subject=Syéh La Geunta&rft_subject=Body percussion&rft_subject=Finger snapping&rft_subject=Peh badan&rft_subject=Male standing dance&rft_subject=monash:62522&rft_subject=Seudati&rft_subject=Monash University. Faculty of Arts. School of Music-Conservatorium&rft_subject=Syéh Noerdin Daood&rft_subject=1959.1/283792&rft_subject=Indonesia – North Aceh – Lhokseumawe&rft_subject=Performing Arts&rft_subject=Digital Humanities&rft_subject=Ethnic Studies&rft.type=dataset&rft.language=English Access the data
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A/V Intro IV.4: Audiovisual Example 4 in Introduction to Part IV of book: Margaret Kartomi, ‘Musical Journeys in Sumatra’, Champaign-Urbana: University of Illinois Press, 2012. Seudati experts Syéh La Geunta (in white top) and Syéh Noerdin Daood give a short demonstration of the Acehnese body percussion (peh badan) technique called Keutep Jaro, or finger-snapping, which occurs during performances of seudati. Seudati is the main Acehnese dance that is performed in standing (as opposed to sitting) position. In this clip, the fingers are snapped both in unison and in interlocking rhythmic patterns, moving on (in this case) to lower chest beating. Recorded by permission of the Bupati of North Aceh, Bp Tarmizi Karim, and his appointed artist and 2003 festival organiser - Bp Rizal, on behalf of the troupes who performed in the Festival. Copyright 2003. Margaret J. Kartomi. Camera by Iwan Dzulvan Amir

Issued: 2017-06-02

Created: 2017-07-11

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1959.1/283792 | Aceh | Body percussion | Digital Humanities | Ethnic Studies | Finger snapping | Indonesia – North Aceh – Lhokseumawe | Keutep Jaro | Male standing dance | Monash University. Faculty of Arts. School of Music-Conservatorium | Peh badan | Performing Arts | Seudati | Syéh La Geunta | Syéh Noerdin Daood | monash:62522 |

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ACN 633 798 857