Data

PP2B

Monash University
Lynette Moore (Aggregated by) Traditional Musicians (Aggregated by)
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ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=info:doi10.26180/17036132.v1&rft.title=PP2B&rft.identifier=https://doi.org/10.26180/17036132.v1&rft.publisher=Monash University&rft.description=Tape PP2B Genderang & Gendang 7.Continuation of Tat. Sisangkar Peberrulikan Laus from PP2A Gendang 3-12-80 1.Kerna Nggo Mo Sidengkoh (starts ~1:50) 2.Simbisa Perjolo Enggo Kesai (starts ~5:30) 3.Gendang Merdalan (starts ~8:00) 4.Tatak Raja Terjangjang (starts ~10:25) 5.Tatak Sinendedahi 6.Tatak Sukut All above example played separately by Gendang & Gerantung. Music consists of predominantly percussion instruments (bells and gong-chimes). Clappers and drums play more of a background role. There are occasional vocal interjections. There are spoken introductions preceding most pieces. Segregation becomes unclear after track 4. Conversation can be heard more towards the end of the tape. There are also more drumming features towards the end.&rft.creator=Lynette Moore&rft.creator=Traditional Musicians&rft.date=2021&rft_rights=CC-BY-4.0&rft_subject=Music Archive of Monash University&rft_subject=MAMU&rft_subject=Lynette Moore Collection&rft_subject=Indonesia&rft_subject=Sumatra&rft_subject=North Sumatra&rft_subject=Performing Arts&rft_subject=Digital Humanities&rft_subject=Ethnic Studies&rft_subject=Musicology and Ethnomusicology&rft.type=dataset&rft.language=English Access the data
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Tape PP2B Genderang & Gendang 7.Continuation of Tat. Sisangkar Peberrulikan Laus from PP2A Gendang 3-12-80 1.Kerna Nggo Mo Sidengkoh (starts ~1:50) 2.Simbisa Perjolo Enggo Kesai (starts ~5:30) 3.Gendang Merdalan (starts ~8:00) 4.Tatak Raja Terjangjang (starts ~10:25) 5.Tatak Sinendedahi 6.Tatak Sukut All above example played separately by Gendang & Gerantung. Music consists of predominantly percussion instruments (bells and gong-chimes). Clappers and drums play more of a background role. There are occasional vocal interjections. There are spoken introductions preceding most pieces. Segregation becomes unclear after track 4. Conversation can be heard more towards the end of the tape. There are also more drumming features towards the end.

Issued: 2021-11-18

Created: 2021-11-18

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Subjects
Digital Humanities | Ethnic Studies | Indonesia | Lynette Moore Collection | MAMU | Music Archive of Monash University | Musicology and Ethnomusicology | North Sumatra | Performing Arts | Sumatra |

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Identifiers
ACN 633 798 857