Data
Viewed: [[ro.stat.viewed]] Cited: [[ro.stat.cited]] Accessed: [[ro.stat.accessed]]
ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=info:doi10.26180/17036012.v1&rft.title=K3A&rft.identifier=https://doi.org/10.26180/17036012.v1&rft.publisher=Monash University&rft.description=Tape K3A/K3B Gendang – Lagu-Lagu Gembira, Classic + Modern 1.Lagu Ongar-Ongar (~0:00-6:00) 2.Lagu Perbunga Sauh (~6:00-11:45) 3.Lagu Murih Karaben (~11:45-18:20) 4.Lagu Jambur Terulang (18:20-25:20) 5.Lagu Ulah Salahi Silat Ersalah (cont. side A-B; 25:20-end of K3A then start of K3B-2:00) 6.Lagu I nja nge Aku Tahan (~2:00-end of K3B) All tracks contain percussion accompaniment (drums, sticks/clappers, gongs). In tracks 1-4, the shawm plays the melody, which is taken over by solo male voice midway through. In tracks 5-6, the shawm is taken over by a solo female voice, before being taken over by the male voice. Each piece is introduced by a female in English.&rft.creator=Lynette Moore&rft.creator=Traditional Musicians&rft.date=2021&rft_rights=CC-BY-4.0&rft_subject=Music Archive of Monash University&rft_subject=MAMU&rft_subject=Lynette Moore Collection&rft_subject=Indonesia&rft_subject=Sumatra&rft_subject=North Sumatra&rft_subject=Performing Arts&rft_subject=Digital Humanities&rft_subject=Ethnic Studies&rft_subject=Musicology and Ethnomusicology&rft.type=dataset&rft.language=English Access the data

Licence & Rights:

Open Licence view details
CC-BY

CC-BY-4.0

Full description

Tape K3A/K3B Gendang – Lagu-Lagu Gembira, Classic + Modern 1.Lagu Ongar-Ongar (~0:00-6:00) 2.Lagu Perbunga Sauh (~6:00-11:45) 3.Lagu Murih Karaben (~11:45-18:20) 4.Lagu Jambur Terulang (18:20-25:20) 5.Lagu Ulah Salahi Silat Ersalah (cont. side A-B; 25:20-end of K3A then start of K3B-2:00) 6.Lagu I nja nge Aku Tahan (~2:00-end of K3B) All tracks contain percussion accompaniment (drums, sticks/clappers, gongs). In tracks 1-4, the shawm plays the melody, which is taken over by solo male voice midway through. In tracks 5-6, the shawm is taken over by a solo female voice, before being taken over by the male voice. Each piece is introduced by a female in English.

Issued: 2021-11-18

Created: 2021-11-18

This dataset is part of a larger collection

Click to explore relationships graph
Subjects

User Contributed Tags    

Login to tag this record with meaningful keywords to make it easier to discover

Identifiers
ACN 633 798 857