Data

4.2.6 Exercise 6 Remember What Was Played

Monash University
Jordan Murray (Aggregated by)
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ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=info:doi10.26180/13180628&rft.title=4.2.6 Exercise 6 Remember What Was Played&rft.identifier=https://doi.org/10.26180/13180628&rft.publisher=Monash University&rft.description=Task ObjectivesThis exercise begins in the same manner as First Idea and as such, exercises the same concepts, but it includes additional stages that impose contrasting duos in relation to duos in previewed stages. In stage two, the exercise explores if group B repels or gravitates towards group A and due to additional stages, allows for the observations of particular indexical (stylistic) and emergent (structural) actions that may be employed to facilitate this activity. Stage three reverses the roles however observes the ways group A either assimilates to or disregards group B. &rft.creator=Jordan Murray&rft.date=2020&rft_rights=CC-BY-4.0&rft_subject=improvisation&rft_subject=Jazz performance&rft_subject=Intersubjectivity&rft_subject=Emergence&rft_subject=indexicality&rft_subject=Semiotics&rft_subject=Performing Arts&rft.type=dataset&rft.language=English Access the data
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Task Objectives

This exercise begins in the same manner as First Idea and as such, exercises the same concepts, but it includes additional stages that impose contrasting duos in relation to duos in previewed stages. In stage two, the exercise explores if group B repels or gravitates towards group A and due to additional stages, allows for the observations of particular indexical (stylistic) and emergent (structural) actions that may be employed to facilitate this activity. Stage three reverses the roles however observes the ways group A either assimilates to or disregards group B.

Issued: 2020-11-04

Created: 2020-11-04

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Subjects
Emergence | Intersubjectivity | Jazz performance | Performing Arts | Semiotics | improvisation | indexicality |

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Identifiers
ACN 633 798 857