Data

4.2.2 Exercise 2 Layering Contrasting Ostinatos

Monash University
Jordan Murray (Aggregated by)
Viewed: [[ro.stat.viewed]] Cited: [[ro.stat.cited]] Accessed: [[ro.stat.accessed]]
ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=info:doi10.26180/13180436&rft.title=4.2.2 Exercise 2 Layering Contrasting Ostinatos&rft.identifier=https://doi.org/10.26180/13180436&rft.publisher=Monash University&rft.description=Task ObjectivesWhile exercising the same indexical, emergent and intersubjective aspects as Layering Ostinatos, Layering Contrasting Ostinatos differs by reducing ostinatos to two voices and creating ostinatos in response to a given context. Firstly, reducing ostinatos to duos simplifies density through less voices and thus also allows participants to observe interaction with greater clarity. Secondly, understanding that both duos will play simultaneously in the final stage of the exercise places group B in a position where they can aim to create a duo that is coherent with group A or not. By virtue of following group A, group B will either individually or collectively be influenced by group A and exhibit similar characteristics or not. The final combination of both duos asks both groups to consider how their respective individual parts and duos will potentially interact with the other duo. Furthermore, the duo and combined duos stages of the exercise allows for observation as to how parts are adjusted, expounded or maintained in relation to contexts.&rft.creator=Jordan Murray&rft.date=2020&rft_rights=CC-BY-4.0&rft_subject=improvisation&rft_subject=indexicality&rft_subject=Jazz performance&rft_subject=Emergence&rft_subject=Intersubjectivity&rft_subject=Semiotics&rft_subject=Performing Arts&rft.type=dataset&rft.language=English Access the data

Licence & Rights:

Open Licence view details
CC-BY

CC-BY-4.0

Full description

Task Objectives

While exercising the same indexical, emergent and intersubjective aspects as Layering Ostinatos, Layering Contrasting Ostinatos differs by reducing ostinatos to two voices and creating ostinatos in response to a given context. Firstly, reducing ostinatos to duos simplifies density through less voices and thus also allows participants to observe interaction with greater clarity. Secondly, understanding that both duos will play simultaneously in the final stage of the exercise places group B in a position where they can aim to create a duo that is coherent with group A or not. By virtue of following group A, group B will either individually or collectively be influenced by group A and exhibit similar characteristics or not. The final combination of both duos asks both groups to consider how their respective individual parts and duos will potentially interact with the other duo. Furthermore, the duo and combined duos stages of the exercise allows for observation as to how parts are adjusted, expounded or maintained in relation to contexts.

Issued: 2020-11-04

Created: 2020-11-04

This dataset is part of a larger collection

Click to explore relationships graph
Subjects

User Contributed Tags    

Login to tag this record with meaningful keywords to make it easier to discover

Identifiers
ACN 633 798 857