Data

Track 04: Pianatomy: there's a beach In my piano

Southern Cross University
Carey, Melissa
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ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=info:doi10.4226/47/5806ac67e9fbb&rft.title=Track 04: Pianatomy: there's a beach In my piano&rft.identifier=10.4226/47/5806ac67e9fbb&rft.publisher=Southern Cross University&rft.description=As well as producing a wide range of sounds, the piano is an object of natural graphic appeal, displaying qualities such as symmetry, and repetition with variation - universal design principles underlying composition in any medium. In this series, the piano has been sampled both aurally and visually.The fourth sound track in a series of sound files produced as part of PhD thesis, titled 'Intermedia Frottage: visual representation of music & aural representation of image'.In addition to being sounded, images have been used as graphic filters to shape white and coloured noise waveforms.The sound files are in a compressed format, and the full fidelity audio CD is available for loan with the exegesis from Southern Cross University Library (or from the creator). Similarly, the imagery is not available on the website collection, but a DVD or imagery is also available for loan with the exegesis from Southern Cross University Library (or from the creator).With the use of graphic synthesis software, the composer can draw sounds directly on the sound canvas. This means that sounds can be written to as well as read from the image.The image takes on the role of a graphic score, from which multiple readings, or interpretations are possible.Data Processing: Processing and analysis through Metasynth (U&I Software); Corel Photo-Paint; Spectrogram (Visualization Software LLC); Phonogramme (V. Lesbros&rft.creator=Carey, Melissa &rft.date=2016&rft_rights=CC BY-NC-ND V3.0&rft_subject=graphic synthesis&rft_subject=digital composition&rft_subject=musical composition&rft_subject=graphic design.&rft_subject=PERFORMING ARTS AND CREATIVE WRITING&rft_subject=STUDIES IN CREATIVE ARTS AND WRITING&rft_subject=VISUAL ARTS AND CRAFTS&rft.type=dataset&rft.language=English Access the data

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As well as producing a wide range of sounds, the piano is an object of natural graphic appeal, displaying qualities such as symmetry, and repetition with variation - universal design principles underlying composition in any medium. In this series, the piano has been sampled both aurally and visually.

The fourth sound track in a series of sound files produced as part of PhD thesis, titled 'Intermedia Frottage: visual representation of music & aural representation of image'.

In addition to being sounded, images have been used as graphic filters to shape white and coloured noise waveforms.

The sound files are in a compressed format, and the full fidelity audio CD is available for loan with the exegesis from Southern Cross University Library (or from the creator). Similarly, the imagery is not available on the website collection, but a DVD or imagery is also available for loan with the exegesis from Southern Cross University Library (or from the creator).

With the use of graphic synthesis software, the composer can draw sounds directly on the sound canvas. This means that sounds can be written to as well as read from the image.The image takes on the role of a graphic score, from which multiple readings, or interpretations are possible.

Data Processing: Processing and analysis through Metasynth (U&I Software); Corel Photo-Paint; Spectrogram (Visualization Software LLC); Phonogramme (V. Lesbros

Available: 20160918

Issued: 2016

Created:

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