Data

Toa Collection

Museum Metadata Exchange
South Australian Museum (Managed by)
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ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=http://museumex.maas.museum/oai/sam/2599.html&rft.title=Toa Collection&rft.identifier=SAMA 41&rft.publisher=Museum Metadata Exchange&rft.description=Toas are small composite and painted artefacts made by members of the Diyari and collected by Lutheran Missionary Johann Reuther at the Killalpaninna Mission in South Australia beginning in 1904. Reuther claimed they were use as 'signposts' on vacating a camp to tell those following where they had gone. Each toa thus represented a particular place, by way of its carved shape and painted detail. The toas combined Aboriginal and European technologies and were made within a frontier context at the mission. They often used gypsum as substrate for painting and incorporating object such as shells, gypsum paste also hid European methods of joining pieces of wood which provided the armature. Gypsum was often used in Aboriginal mourning ceremonies.391 Aboriginal toa objects mainly collected by Pastor Johann Georg Reuther, but also by Pastor Oskar Liebler.&rft.creator=Anonymous&rft.date=2017&rft_subject=Aboriginal artefacts&rft_subject=Aboriginal culture&rft_subject=Aboriginal peoples (Australians)&rft_subject=Aboriginal material culture&rft_subject=Cooper Creek&rft_subject=MacDonnell range&rft_subject=O. Liebler&rft_subject=Pre 1905&rft_subject=Reuther&rft_subject=Toa&rft_subject=Aboriginal peoples&rft_subject=Artefacts&rft_subject=Pastor Johann Georg Reuther&rft_subject=Pastor Oskar Liebler&rft.type=dataset&rft.language=English Access the data

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Brief description

391 Aboriginal toa objects mainly collected by Pastor Johann Georg Reuther, but also by Pastor Oskar Liebler.

Full description

Toas are small composite and painted artefacts made by members of the Diyari and collected by Lutheran Missionary Johann Reuther at the Killalpaninna Mission in South Australia beginning in 1904. Reuther claimed they were use as 'signposts' on vacating a camp to tell those following where they had gone. Each toa thus represented a particular place, by way of its carved shape and painted detail. The toas combined Aboriginal and European technologies and were made within a frontier context at the mission. They often used gypsum as substrate for painting and incorporating object such as shells, gypsum paste also hid European methods of joining pieces of wood which provided the armature. Gypsum was often used in Aboriginal mourning ceremonies.

Notes

See `Art and Land' (1986) by P. Jones & P. Sutton. Further information may be found in specimen document files. Related Collection notes: Associated archival component held in the SAM Archives collections

Data time period: 1905

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Identifiers
  • Local : SAMA 41