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ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=info:doi10.4225/03/5934f55308297&rft.title=Tari Adat Besemah&rft.identifier=https://doi.org/10.4225/03/5934f55308297&rft.publisher=Monash University&rft.description=Audio 7.2: Audio Example 2 in Chapter 7 of book: Margaret Kartomi, ‘Musical Journeys in Sumatra’, Champaign-Urbana: University of Illinois Press, 2012. This traditional dance is performed in the Besemah region at life cycle celebrations, especially those that are attended by many guests. Often, around 20 young people can take part in the dance. This example, performed at a wedding ceremony, comprised seven dancers: Ibu-Ibu Nekanibasik, Ariah, Jimah, Radiah and Madinah (all women) and Bp Sulim and Bp Kiaso (men). The accompanying ensemble includes a gong-chime (“kelintang”) which plays the melody and rhythmic pattern, and a type of frame drum (“redap”) which supports and maintains the rhythm. The excerpt was recorded in January 1989. Duration: 0 min. 47 sec. Copyright 1989. Margaret J. Kartomi.&rft.creator=Hidris Kartomi&rft.creator=Margaret J. Kartomi&rft.date=2018&rft_rights=In Copyright&rft_subject=Besemah&rft_subject=Indonesia – South Sumatra – Ogan dan Komering Ilir – Besemah – Tanjungsakti&rft_subject=Kelintang&rft_subject=1959.1/284145&rft_subject=Weddings&rft_subject=Adat&rft_subject=Monash University. Faculty of Arts. School of Music-Conservatorium&rft_subject=Rituals&rft_subject=monash:62543&rft_subject=Redap&rft_subject=Mixed dancing&rft_subject=Performing Arts&rft_subject=Digital Humanities&rft_subject=Ethnic Studies&rft.type=dataset&rft.language=English Access the data

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Audio 7.2: Audio Example 2 in Chapter 7 of book: Margaret Kartomi, ‘Musical Journeys in Sumatra’, Champaign-Urbana: University of Illinois Press, 2012. This traditional dance is performed in the Besemah region at life cycle celebrations, especially those that are attended by many guests. Often, around 20 young people can take part in the dance. This example, performed at a wedding ceremony, comprised seven dancers: Ibu-Ibu Nekanibasik, Ariah, Jimah, Radiah and Madinah (all women) and Bp Sulim and Bp Kiaso (men). The accompanying ensemble includes a gong-chime (“kelintang”) which plays the melody and rhythmic pattern, and a type of frame drum (“redap”) which supports and maintains the rhythm. The excerpt was recorded in January 1989. Duration: 0 min. 47 sec. Copyright 1989. Margaret J. Kartomi.

Issued: 2017-06-05

Created: 2017-06-05

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ACN 633 798 857