Data

KNITTED ARCHITECTURE#2

RMIT University, Australia
Jenny Underwood (Aggregated by) Leanne Zilka (Aggregated by)
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ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=info:doi10.25439/rmt.27402387.v1&rft.title=KNITTED ARCHITECTURE#2&rft.identifier=10.25439/rmt.27402387.v1&rft.publisher=RMIT University, Australia&rft.description=Research Background: Investigations into light weight knitted structures in the fabrication of architectural elements have been progressing internationally with figures such as Jenny Sabin (Cornell University),Mette Ramsguard Thomsen (Cita, RDAFA) who are investigating novel fibers and complex clusters of knitted structures. This research differs in that I am using the potential of the knitting machines to produce complex form without the need for additional scaffolding or prototyping as we understand the tension and fibre qualities due to testing at this large scale as well as simulating how a variety of fibres could be incorporated within the same knit. Contribution: The knitted architecture #2 exhibition expands on the work done for the NGV Sampling The Future. This installation demonstrates larger knitted elements together with a grading of thread to simulate how advanced fibres could be used in future uses as we work towards architectural applications. The work aims to further explore customised light weight structures done through the embedded ability of the whole garment manufacturing adapted for use in architecture. This installation for the first time successfully programmed the industrial knitting machines to account for fibre stretch and tension required without the need for prototyping. Significance: This is a significant set of work as it was commissioned by Ewan McEoin - a senior curator at the National Gallery of Victoria (top ranked venue) and Federation Square. This was a special commission funded between Federation Square and NGV. The NGV is one of the most significant exhibition venues in the world. It was open to the public and is prominently seen by the public. The work is part of the Melbourne Design Week 2022 due to open on the 17th of March.&rft.creator=Jenny Underwood&rft.creator=Leanne Zilka&rft.date=2021&rft_rights= https://rightsstatements.org/page/InC/1.0/&rft_subject=Architectural computing and visualisation methods&rft_subject=Architectural design&rft_subject=Not Assigned&rft.type=dataset&rft.language=English Access the data

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Research Background: Investigations into light weight knitted structures in the fabrication of architectural elements have been progressing internationally with figures such as Jenny Sabin (Cornell University),Mette Ramsguard Thomsen (Cita, RDAFA) who are investigating novel fibers and complex clusters of knitted structures. This research differs in that I am using the potential of the knitting machines to produce complex form without the need for additional scaffolding or prototyping as we understand the tension and fibre qualities due to testing at this large scale as well as simulating how a variety of fibres could be incorporated within the same knit.
Contribution: The knitted architecture #2 exhibition expands on the work done for the NGV Sampling The Future. This installation demonstrates larger knitted elements together with a grading of thread to simulate how advanced fibres could be used in future uses as we work towards architectural applications. The work aims to further explore customised light weight structures done through the embedded ability of the whole garment manufacturing adapted for use in architecture. This installation for the first time successfully programmed the industrial knitting machines to account for fibre stretch and tension required without the need for prototyping.
Significance: This is a significant set of work as it was commissioned by Ewan McEoin - a senior curator at the National Gallery of Victoria (top ranked venue) and Federation Square. This was a special commission funded between Federation Square and NGV. The NGV is one of the most significant exhibition venues in the world. It was open to the public and is prominently seen by the public. The work is part of the Melbourne Design Week 2022 due to open on the 17th of March.

Issued: 2021

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