Data

I'll be your body instrument

Monash University
Cat Hope (Aggregated by)
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ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=info:doi10.26180/5e2acb6e423b1&rft.title=I'll be your body instrument&rft.identifier=http://doi.org/10.26180/5e2acb6e423b1&rft.publisher=Monash University&rft.description= I’ll Be Your Body Instrument For 4 voices, percussion and sub tone. For Chicks On Speed By Cat Hope (2019) World premiere at Live Works, CarriageWorks, October 2019 Four Voices: Vox 1, Vox 2, Vox 3, Vox 4, Two Percussion: Player 1, Player 2 Sub (embedded in score as playback): Thick Line The score is proportional, with the highest point of the screen being the highest pitch reference, the bottom being the lowest pitch reference. Line thickness or size indicates dynamic (should be very soft to very loud). Each shape indicates the dynamics and duration of activity. Vocalists can sing what ever they like in that shape. Effects The voices are subject to 2 effects; distortion: illustrated with a red frame around the shape reverb: illustrated with a blue frame around the shape. (long tail represents length of reverb.) Percussion Subject to two modes of playing: loud trigger (hard stick/object) soft trigger (soft mallet/object) mixed means one of each. “off kilter’ circles just mean a different type of attack August 2019 &rft.creator=Cat Hope&rft.creator=Cat Hope&rft.date=2020&rft_rights=&rft_subject=animated notation&rft_subject=experimental music&rft_subject=australian music&rft.type=dataset&rft.language=English Access the data

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I’ll Be Your Body Instrument

For 4 voices, percussion and sub tone.

For Chicks On Speed

By Cat Hope (2019)


World premiere at Live Works, CarriageWorks, October 2019


Four Voices: Vox 1, Vox 2, Vox 3, Vox 4,

Two Percussion: Player 1, Player 2

Sub (embedded in score as playback): Thick

Line

The score is proportional, with the highest point of the screen being the highest pitch reference, the bottom being the lowest pitch reference. Line thickness or size indicates dynamic (should be very soft to very loud). Each shape indicates the dynamics and duration of activity. Vocalists can sing what ever they like in that shape.

Effects The voices are subject to 2 effects; distortion: illustrated with a red frame around the shape
reverb: illustrated with a blue frame around the shape.

(long tail represents length of reverb.)

Percussion Subject to two modes of playing:

loud trigger (hard stick/object) soft trigger (soft mallet/object)

mixed means one of each. “off kilter’ circles just mean a different type of attack

August 2019

Issued: 2020-1-24

Created: 2020-01-24

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Identifiers
ACN 633 798 857