Data

'Diamonds'

RMIT University, Australia
Mikala Dwyer (Aggregated by)
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ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=info:doi10.25439/rmt.30172915&rft.title='Diamonds'&rft.identifier=10.25439/rmt.30172915&rft.publisher=RMIT University, Australia&rft.description=Research Background‘Diamonds’ is a newly commissioned installation delving into the material density of the Earth, exposing stratigraphy through wall and ceiling-mounted sculptures and a large-scale painting. By revealing layers of compressed carbon and earth, Dwyer invites examination of the geological processes that have shaped our planet, while reflective diamond shapes symbolize the connection between ancient materials and contemporary artistic practice. Research Contribution This research contributes to the discourse on the relationship between art and the natural world by juxtaposing contemporary sculptural forms with ancient cultural expressions, such as cave paintings from the Grotte de Lascaux and Indigenous Australian art. Dwyer's exploration of materiality emphasizes the profound historical narratives embedded in the Earth and challenges viewers to consider the interactions between art, nature, and time. The installation's transparent, boulder-like sculpture, embodying a void of air, further contrasts with the solidity of volcanic rocks, inviting reflection on the ephemeral and the enduring. Research Significance The significance of Dwyer’s work lies in its capacity to unmoor symbols and landscapes from their natural habitats, creating a dialogue that bridges ancient messages with contemporary contexts. By invoking the symbiotic relationship between ancient Aboriginal cave paintings and the geological forces that bring diamonds to the surface, Dwyer prompts critical contemplation of humanity's impact on the Earth. This installation not only celebrates the resilience of cultural expression but also encourages a forward-looking perspective on sustainability and our collective future.&rft.creator=Mikala Dwyer&rft.date=2023&rft_rights= https://rightsstatements.org/page/InC/1.0/&rft_subject=Visual arts&rft_subject=Installation, geology, Lascaux caves, deep time, stratigraphy&rft_subject=Installation&rft_subject=Geology&rft_subject=Lascaux Caves&rft_subject=Deep Time&rft_subject=Stratigraphy&rft.type=dataset&rft.language=English Access the data

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Research Background

‘Diamonds’ is a newly commissioned installation delving into the material density of the Earth, exposing stratigraphy through wall and ceiling-mounted sculptures and a large-scale painting. By revealing layers of compressed carbon and earth, Dwyer invites examination of the geological processes that have shaped our planet, while reflective diamond shapes symbolize the connection between ancient materials and contemporary artistic practice.

Research Contribution

This research contributes to the discourse on the relationship between art and the natural world by juxtaposing contemporary sculptural forms with ancient cultural expressions, such as cave paintings from the Grotte de Lascaux and Indigenous Australian art. Dwyer's exploration of materiality emphasizes the profound historical narratives embedded in the Earth and challenges viewers to consider the interactions between art, nature, and time. The installation's transparent, boulder-like sculpture, embodying a void of air, further contrasts with the solidity of volcanic rocks, inviting reflection on the ephemeral and the enduring.

Research Significance

The significance of Dwyer’s work lies in its capacity to unmoor symbols and landscapes from their natural habitats, creating a dialogue that bridges ancient messages with contemporary contexts. By invoking the symbiotic relationship between ancient Aboriginal cave paintings and the geological forces that bring diamonds to the surface, Dwyer prompts critical contemplation of humanity's impact on the Earth. This installation not only celebrates the resilience of cultural expression but also encourages a forward-looking perspective on sustainability and our collective future.

Issued: 23 10 2023

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