Data

Dataset for Florentine Trecento Musical Iconography and Contemporary Musical Performance

University of New England, Australia
Stinson, John ; Stoessel, Jason
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ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=info:doi10.25952/egm6-kj64&rft.title=Dataset for Florentine Trecento Musical Iconography and Contemporary Musical Performance&rft.identifier=10.25952/egm6-kj64&rft.publisher=University of New England&rft.description=In documenting the use of Trecento musical instruments in Florence, information has been gathered from five categories of documents: payment records from surviving archives, contemporary chronicles, contemporary literature, medieval music theory treatises and relevant modern accounts. Frequently encountered generic names for musicians have not been included in the catalogue of instruments as the instruments actually played are not specified. While the works from which these documents have been extracted make no pretence at giving a factual account of Florentine musical practice, they are important for describing the musical activities of those not usually paid for their musical activity: the amateur players who were an important part of the Florentine soundscape. From the initial file of 48,985 documents, a file of 33,247 unique records was developed with one keyword for each line. All documents with their line numbers are held in the full document in which the keyword is found. This file includes names of instruments, but generic terms for players of instruments as well as more specific terms are listed separately. Non-instrumental musical activities such as singing and dancing and their cognate forms are also listed.&rft.creator=Stinson, John &rft.creator=Stoessel, Jason &rft.date=2022&rft_rights= http://creativecommons.org/licenses/by-nc-sa/4.0/&rft_rights=&rft_rights=Rights holder: John Stinson&rft_subject=Musicology and Ethnomusicology&rft_subject=STUDIES IN CREATIVE ARTS AND WRITING&rft_subject=PERFORMING ARTS AND CREATIVE WRITING&rft_subject=Art History&rft_subject=ART THEORY AND CRITICISM&rft_subject=Literature in Italian&rft_subject=LANGUAGE, COMMUNICATION AND CULTURE&rft_subject=LITERARY STUDIES&rft_subject=Music&rft_subject=CULTURAL UNDERSTANDING&rft_subject=ARTS AND LEISURE&rft_subject=The Creative Arts (incl. Graphics and Craft)&rft_subject=Understanding Europe's Past&rft_subject=UNDERSTANDING PAST SOCIETIES&rft_subject=Musicology and ethnomusicology&rft_subject=Music&rft_subject=CREATIVE ARTS AND WRITING&rft_subject=Art history&rft_subject=Art history, theory and criticism&rft_subject=Literature in Italian&rft_subject=Literary studies&rft_subject=LANGUAGE, COMMUNICATION AND CULTURE&rft_subject=Music&rft_subject=Arts&rft_subject=CULTURE AND SOCIETY&rft_subject=130103 The creative arts&rft_subject=130704 Understanding Europe’s past&rft.type=dataset&rft.language=English Access the data
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jason.stoessel@une.edu.au

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In documenting the use of Trecento musical instruments in Florence, information has been gathered from five categories of documents: payment records from surviving archives, contemporary chronicles, contemporary literature, medieval music theory treatises and relevant modern accounts. Frequently encountered generic names for musicians have not been included in the catalogue of instruments as the instruments actually played are not specified. While the works from which these documents have been extracted make no pretence at giving a factual account of Florentine musical practice, they are important for describing the musical activities of those not usually paid for their musical activity: the amateur players who were an important part of the Florentine soundscape. From the initial file of 48,985 documents, a file of 33,247 unique records was developed with one keyword for each line. All documents with their line numbers are held in the full document in which the keyword is found. This file includes names of instruments, but generic terms for players of instruments as well as more specific terms are listed separately. Non-instrumental musical activities such as singing and dancing and their cognate forms are also listed.

Issued: 2022-09-19

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130103 The creative arts | 130704 Understanding Europe’s past | Art Theory and Criticism | Arts and Leisure | Art History | Art History | Art History, Theory and Criticism | Arts | Creative Arts and Writing | Cultural Understanding | Culture and Society | Language, Communication and Culture | Language, Communication and Culture | Literary Studies | Literary Studies | Literature in Italian | Literature in Italian | Music | Music | Music | Musicology and Ethnomusicology | Musicology and Ethnomusicology | Performing Arts and Creative Writing | Studies in Creative Arts and Writing | The Creative Arts (Incl. Graphics and Craft) | Understanding Past Societies | Understanding Europe's Past |

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