Commute

Full description

This work explores ideas of spatial complexity, mapping and drawing utilising a methodology of 3D small scale rapid prototyping, the doodle and chance. 'Commute' is an absurdist object modelled virtually on an iPhone while on daily train trips from suburb to city. It is then emailed across the world, printed with stereo-lithographic technologies and displayed at international venues. The works suggest new ways in which mobility, global boundaries and communication are reformed through technology in collaboration with the artisanal. The research is framed by technology, creativity and conceptualism in art. Exploring the concept of 'Technological Determinism', where technological advancements are assumed to be the primary driver of cultural developments, this work suggests that design and culture are not technologically determined, but are instead processes that link ideas, images and narrative. 'Commute' is innovative in representing how large scale traces and delineations of space can engage the viewer in a cognitive and social sense. The work was exhibited at 'Insideout', an international touring exhibition featuring 46 miniature sculptures produced in resin using 3D printing technologies. Works were commissioned by Claire Smith, Melbourne University in collaboration with the department of Art & Design, DeMontfort University, with support from Lycette Bros, Art Technology Coalition. International participating artists included Anthony Eland (UK) and Martin Riesler (UK). Concurrent exhibitions occurred in the UK and Australia.