Data

Blooming (2025) - Live Performance

Monash University
Helen Svoboda (Aggregated by)
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ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=info:doi10.26180/30205096.v2&rft.title=Blooming (2025) - Live Performance&rft.identifier=https://doi.org/10.26180/30205096.v2&rft.publisher=Monash University&rft.description=Blooming (2025) is a work for solo double bass and electronics. It imagines a photosynthesis cycle based upon a composer photograph of Norwegian flowers in summer. The work is structured around a video score featuring an animated version of the photograph and abstracted floral images, unfolding over three distinct photosynthetic cycles. In this work, the double bass is positioned as a flower, absorbing light, water and carbon dioxide, then releasing oxygen through sound. The performance incorporates live electronics and tactile transducers. The music is largely improvised, anchored by a series of recurring pre-determined motivic fragments that evolve throughout the work. These fragments are then expanded and transformed in response to the visual score, suggesting organic processes of growth, light, and transformation. Video: Angus KirbyPhotography: Helen SvobodaPerformance and Composition: Helen SvobodaFilmed and recorded live at APAX Warehouse (Melbourne), June 19th 2025&rft.creator=Helen Svoboda&rft.date=2025&rft_rights=CC-BY-4.0&rft_subject=Double Bass&rft_subject=Graphic notation&rft_subject=Animated Notation&rft_subject=Musical improvisation&rft_subject=Music composition and improvisation&rft_subject=Music performance&rft_subject=Music technology and recording&rft.type=dataset&rft.language=English Access the data

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Blooming (2025) is a work for solo double bass and electronics. It imagines a photosynthesis cycle based upon a composer photograph of Norwegian flowers in summer. The work is structured around a video score featuring an animated version of the photograph and abstracted floral images, unfolding over three distinct photosynthetic cycles. In this work, the double bass is positioned as a flower, absorbing light, water and carbon dioxide, then releasing oxygen through sound. 

The performance incorporates live electronics and tactile transducers. The music is largely improvised, anchored by a series of recurring pre-determined motivic fragments that evolve throughout the work. These fragments are then expanded and transformed in response to the visual score, suggesting organic processes of growth, light, and transformation. 

Video: Angus Kirby
Photography: Helen Svoboda
Performance and Composition: Helen Svoboda

Filmed and recorded live at APAX Warehouse (Melbourne), June 19th 2025

Issued: 2025-10-12

Created: 2025-10-12

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Identifiers
ACN 633 798 857