Data

Acoustic intensity data related to the 'musical affect' of 50 pieces of electro-acoustic music

Western Sydney University
Dean, Roger ; Bailes, Freya
Viewed: [[ro.stat.viewed]] Cited: [[ro.stat.cited]] Accessed: [[ro.stat.accessed]]
ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=https://research-data.westernsydney.edu.au/published/323beb00519411ecb15399911543e199&rft.title=Acoustic intensity data related to the 'musical affect' of 50 pieces of electro-acoustic music&rft.identifier=https://research-data.westernsydney.edu.au/published/323beb00519411ecb15399911543e199&rft.publisher=Western Sydney University&rft.description=The collection contains acoustic intensity data of 50 pieces of commercially available music (3 large-scale compositions, 2 computer-interactive improvisations, and 45 short electro-acoustic works). Roger wrote scripts in Praat ( a free software programme for acoustic analysis) to analyse intensity durations and intensity change rates of successive rises and falls in the pieces. Intensity is measured window by window using the 'energy averaging' option within Praat, and using a pitch range for the analysis from 20Hz upwards, which provides intensity as Sound Pressure Level (SPL) in dB. Each file contains two columns of data, the first, 'sliceedntime(sec)' indicates the time at which the measured intensity slice ends. The first slice is either 0.16 or 0.17 secs (for reasons related to the analysis technique), while all subsequent slices are 0.04secs long (40msec). The pieces vary in length. The second column 'intens(dB)' indicates the measured (unweighted) Sound Pressure Level in dB. The files are zipped, so unzipping software is required to access the data.&rft.creator=Dean, Roger &rft.creator=Bailes, Freya &rft.date=2023&rft.relation=https://hdl.handle.net/1959.7/503212&rft.coverage=&rft_rights=Copyright Western Sydney University&rft_rights=CC BY-NC-SA: Attribution-Noncommercial-Share Alike 3.0 AU http://creativecommons.org/licenses/by-nc-sa/3.0/au&rft_subject=Music composition&rft_subject=Electroacoustic music&rft_subject=Statistical acoustics&rft_subject=Dynamics affect&rft_subject=Auditory looming&rft_subject=The MARCS Institute&rft.type=dataset&rft.language=English Access the data

Licence & Rights:

Non-Commercial Licence view details
CC-BY-NC-SA

CC BY-NC-SA: Attribution-Noncommercial-Share Alike 3.0 AU
http://creativecommons.org/licenses/by-nc-sa/3.0/au

Copyright Western Sydney University

Access:

Open view details

Open

Full description

The collection contains acoustic intensity data of 50 pieces of commercially available music (3 large-scale compositions, 2 computer-interactive improvisations, and 45 short electro-acoustic works). Roger wrote scripts in Praat ( a free software programme for acoustic analysis) to analyse intensity durations and intensity change rates of successive rises and falls in the pieces. Intensity is measured window by window using the 'energy averaging' option within Praat, and using a pitch range for the analysis from 20Hz upwards, which provides intensity as Sound Pressure Level (SPL) in dB. Each file contains two columns of data, the first, 'sliceedntime(sec)' indicates the time at which the measured intensity slice ends. The first slice is either 0.16 or 0.17 secs (for reasons related to the analysis technique), while all subsequent slices are 0.04secs long (40msec). The pieces vary in length. The second column 'intens(dB)' indicates the measured (unweighted) Sound Pressure Level in dB. The files are zipped, so unzipping software is required to access the data.

Data time period: 04 2008 to 30 04 2008

This dataset is part of a larger collection

Click to explore relationships graph
Subjects

User Contributed Tags    

Login to tag this record with meaningful keywords to make it easier to discover

Identifiers
  • Local : research-data.westernsydney.edu.au/published/323beb00519411ecb15399911543e199
  • Local : kruger.uws.edu.au/redbox/published/detail/a15d7bc4ea61ceba0d6cd1b1ddc2c5fc