Data

3 works photopaintings: 'Circle Tokyo', 'Dogs of London (green circle)', 'Small yellow orb'

RMIT University, Australia
David Thomas (Aggregated by)
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ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=info:doi10.25439/rmt.27345228.v1&rft.title=3 works photopaintings: 'Circle Tokyo', 'Dogs of London (green circle)', 'Small yellow orb'&rft.identifier=10.25439/rmt.27345228.v1&rft.publisher=RMIT University, Australia&rft.description=This group exhibition consisted of a multi-disciplinary non-objective art by major figures from Europe the USA and explored the readings and compositions created by the circle or roundness in relationship to colour.It placed my work in an international context with world leaders in the field. My works developed new knowledge through the production of paintings and photpaintings that expoited colour .image to engage the viewer in an experience of being in time. Colour is used to affect perception, along with image and materials and heighten the awareness of looking in time and how this affects our construction of meaning. The exhibition was accompanied by a fully illustrated catalogue published by the Gesellschaft fur Kunst und Gestaltung. This catalogue had a world wide distribution.The Gesellschaft fur Kunst und Gestaltung is supported by independent donations and the City of Bonn..The exhibition resulted in the production of new artworks work builds upon my ongoing research in time and colour as manifest via reductive and abstract artworks that enable the viewer to engage in a conscious manner with their processes of perception in time and space. The exhibition contributed to ongoing research in Non-objective art, colour, light and site between Australia and Germany by placing tmy work in an international context .&rft.creator=David Thomas&rft.date=2010&rft_rights= https://rightsstatements.org/page/InC/1.0/&rft_subject=Fine arts&rft_subject=Not Assigned&rft.type=dataset&rft.language=English Access the data

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This group exhibition consisted of a multi-disciplinary non-objective art by major figures from Europe the USA and explored the readings and compositions created by the circle or roundness in relationship to colour.
It placed my work in an international context with world leaders in the field.
My works developed new knowledge through the production of paintings and photpaintings that expoited colour .image to engage the viewer in an experience of being in time. Colour is used to affect perception, along with image and materials and heighten the awareness of looking in time and how this affects our construction of meaning. The exhibition was accompanied by a fully illustrated catalogue published by the Gesellschaft fur Kunst und Gestaltung. This catalogue had a world wide distribution.The Gesellschaft fur Kunst und Gestaltung is supported by independent donations and the City of Bonn..

The exhibition resulted in the production of new artworks work builds upon my ongoing research in time and colour as manifest via reductive and abstract artworks that enable the viewer to engage in a conscious manner with their processes of perception in time and space. The exhibition contributed to ongoing research in Non-objective art, colour, light and site between Australia and Germany by placing tmy work in an international context .

Issued: 2010

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ACN 633 798 857