Data

2 Photopaintings Passing Places I'll never know

RMIT University, Australia
David Thomas (Aggregated by)
Viewed: [[ro.stat.viewed]] Cited: [[ro.stat.cited]] Accessed: [[ro.stat.accessed]]
ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rfr_id=info%3Asid%2FANDS&rft_id=info:doi10.25439/rmt.27344724.v1&rft.title=2 Photopaintings Passing Places I'll never know&rft.identifier=10.25439/rmt.27344724.v1&rft.publisher=RMIT University, Australia&rft.description=The exhibition was part of the Festival of Drawing at RMIT between RMIT and University of the Arts London The exhibition was widely discussed on web, in press and through exhibtion. it builds research and cultural discourse between Australian and UK Artists particularly concerned with expanding the definition of drawing and the expansion of media associated with i. The work 'Passing Places I'll never know' builds upon my ongoing research into mirroring memory the present and duration via photography and painting. It developed new knowledge through the production of new works that expoited colour and image combining photography with painted drawing to engage the viewer in consideriation of the multiple time structures in the work. Reflective painted zones act as a mirror to heighten the awareness of looking in time and how this affects our understanding of being in the world.&rft.creator=David Thomas&rft.date=2010&rft_rights= https://rightsstatements.org/page/InC/1.0/&rft_subject=Fine arts&rft_subject=Not Assigned&rft.type=dataset&rft.language=English Access the data

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The exhibition was part of the Festival of Drawing at RMIT between RMIT and University of the Arts London
The exhibition was widely discussed on web, in press and through exhibtion.
it builds research and cultural discourse between Australian and UK Artists particularly concerned with expanding the definition of drawing and the expansion of media associated with i.

The work 'Passing Places I'll never know' builds upon my ongoing research into mirroring memory the present and duration via photography and painting. It developed new knowledge through the production of new works that expoited colour and image combining photography with painted drawing to engage the viewer in consideriation of the multiple time structures in the work. Reflective painted zones act as a mirror to heighten the awareness of looking in time and how this affects our understanding of being in the world.

Issued: 2010

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ACN 633 798 857